Page Title

“Architectural Transformations in Medieval Anatolia (With Special Reference To Central Asia),” Byzantine Culture, Dean Sakel (ed.), (Ankara: TTK, 2014) 279-92.

"Imprisoned Pearls: The Long-Forgotten Symbolism of the Great Mosque and Dār al-Shifā’ at Divriği," Archaeology, Anthropology and Heritage in the Balkans and Anatolia: The Life and Works of F.W.Hasluck, 1878-1920, III, D. Shankland (ed.), İstanbul: The Isis Press, 2013, 315-345.

“The Assessment of European Architecture by Ottoman Ambassadors of the Eighteenth Century”, Europa und die Türkei im 18. Jahrhundert / Europe and Turkey in the Eighteenth Century, Barbara Schmidt-Haberkamp (ed.), Göttingen: Vandenhopeck & Ruprecht, 2011, 489-505.

“The Upper City of Hasankeyf: Archaeological Park Documentation Study 2002,” Salvage Project of the Archaeological Heritage of the Ilısu and Carchemish Dam Reservoirs, Activities in 2002, Numan Tuna and Owen Doonan (ed.), vol. 1, Ankara: METU- TACDAM, 2011, 374-386.

"Return of the Sultan: Nuruosmânîye Mosque and the İstanbul Bedestan," Constructing Cultural Identity, Representing Social Power, N. Kısakürek, O. Rastrick, K. Esmark and C. Bilsel (eds.), Pisa: Plus - Pisa Univertsity Press, 2010, 139-157.

“Seljuk Architecture and Urbanism in Anatolia,” Expo Shangai 2010: Better City Better Life, Turkey, Anatolia, Istanbul, A. Savaş (ed.), Ankara: Turkish Ministry of Foreign Affairs, 2010, 79-81.

“A Retreating Power: Ottoman approach to the West in the 18th century,” Hegemony, Interaction and Dissent, edited by Jonathan Osmond and Ausma Cimdina, Pisa: Edizioni Plus, 2006, 83-100.

“Western Influence on the Ottoman Empire and Occidentalism in the Architecture of Istanbul,” Eighteenth Century Life, 26:3 (Fall, 2002) 139-164.

"Traditional Settlements in Anatolia," Poetics and Praxis in the Mediterranean, With Case Studies on Lycia and Pamphilia, Jale Erzen and Pelin Yoncacı (eds.), Ankara: Sanart, 64-74. (digital publication)

"The Monumental Iwan: A Symbolic Space or A Functional Device?" Journal of the M.E.T.U. Faculty of Architecture, XI/1-2, 1991 (Ankara, 1993), 5-19.

"The Architecture of Empire: Ottoman Mosques," Cambridge World History of Religious Architecture, R. Etlin and Hasan Uddin-Khan (eds.), London: Cambridge University Press. (forthcoming)

Papers in Congress/Symposium Proceedings:

“Architectural Technology in History Class,” ICONARCH II: International Congress of Architecture, Innovative Approavhes in Architecture and Planning, Nov. 20-22, 2014, Konya, 398-409.

“The Concept of Beauty from Plotinus to St. Augustine and Ghazzali, and Art of Abstraction in Medieval Eastern Mediterranean,” XVII. Congress of Aesthetics: Aesthetics Bridging Cultures, Congress Book 1, ed. Jale Erzen (Ankara: SANART, 2008) 109-114.

“French and Ottoman Rococo: Blurring of Images” Smposium International d’Imagologie (26-28 Avril 2004), v. I Imagologie, edited Serhat Ulağlı (Muğla: Muğla University, 2006), 93-118.

"Orta Çağ Anadolu Türk Mimarisi ve Mistisizm" [“Turkish Architecture and Mysticism in Anatolia in the Middle Ages”], Uluslararası Dördüncü Türk Kültürü Kongresi Bildirileri (Proceedings of the IVth International Congress on Turkish Culture) (Ankara, 4-7 Kasım, 1997), edited by Azize Aktaş-Yasa (Ankara: Atatürk Kültür Merkezi Başkanlığı, 2000), 171-185.

"The Origins of the Seljukid Double-Headed Eagle as a Cosmological Symbol," Art Turc/Turkish Art: Proceedings of the 10th International Congress of Turkish Art (Geneva 17-23, 1995), (Geneva: Fondation Max van Berchem, 1999), 559-566

"The Historical Evolution of the Turkish Mosque Architecture," Proceedings of the Symposium on Mosque Architecture, vol.2: The Historic and Urban Developments of Mosque Architecture, College of Architecture and Planning, King Saud University (Riyadh 30 January- 3 February, 1999), (Riyadh: King Saud University, 1999), 89-111.

"Pastoral Türk Kültürünün Yakın Doğu'ya Bir Katkısı: Mimari Tasarımda Sentez Arayışı" [“Pastoral Turkish Culture in the Near East: Search for Synthesis in Architectural Design”], Uluslararası Üçüncü Türk Kültürü Kongresi Bildirileri (Ankara, 25-29 Eylül, 1993), [Proceedings of the 3th International Congress on Turkish Culture (Ankara, September 25-29)] volume I, edited by Alev K. Birgül (Atatürk Kültür Merkezi Başkanlığı, 1999), 261-267.

"10th International Congress of Turkish Art, Communications of the Recipients of Max van Berchem Scholarships: The Origins of the Seljukid Double-Headed Eagle as a Cosmological Symbol." Fondation Max van Berchem Bulletin, December, IX (Geneva, 1995), 3-8.

National Publications:

Papers in Books and Journals:

“AKP Döneminde Rövanşist Mimari,” Mimarlık, 386, (2015) 4-19.

“Anadolu’da Selçuklu Mimarisi ve Kayseri Gevher Nesibe Darüşşifası Örneği,” Anadolu Selçuklu Uygarlığının İzinde, M. B. Tanman (ed.) (Kayseri: Kayseri Belediyesi, 2014) 105-27.

“Anadolu Selçuklu Mimari Tarihinde Anlam Araştırmaları,” [Research into Meaning in Historiography of Anatolian Seljuk Architecture] Türkiye Araştırmaları Literatür Dergisi, 7/13, (2009) 67-80.

“Evrenin Binasi: Mimarîde Yazı ve Kozmolojik Anlam,” [Cosmos Building: Inscriptions and Cosmological Meaning in Architecture] Selçuklu Uygarlığı: Sanat ve Mimarlık [Seljuk Civilization: Art and Architecture] v. 2 edited by Ali Uzay Peker and Kenan Bilici, (Ankara: Ministry of Culture, 2006) 31-41.

“Anadolu Bazilika Geleneği ve Anıtsal Mimariye Etkisi,” [Basilica in Anatolia and its Influence in Monumerntal Architecture] Selçuklu Uygarlığı: Sanat ve Mimarlık [Seljuk Civilization: Art and Architecture] v. 2 edited by Ali Uzay Peker and Kenan Bilici, (Ankara: Ministry of Culture, 2006) 55-65.

"Kanada Mimarlık Merkezi (CCA): Kuruluş Süreci ve Mimari Betimlemesi" [“Canadian Centre for Architecture (CCA): An Account of its Foundation Process, Building and Facilities”], Journal of the METU Faculty of Architecture, 21:1-2 (2004) 1-31.

"Montreal'in Mirası" [Heritage Montreal”], Cevat Erder Armağanı [Festschrift for Cevat Erder] (Ankara, METU Faculty of Architecture, 2003) 155-176.

"Osmanlı Mimarisinde Yaratıcılık: Amasya Örnekleri" [“Inventivenes in Ottoman Architecture: Architecture of Amasya”] Türkler [Turks], edited by Yusuf Halaçoğlu, Hasan Celâl Güzel, Kemal Çiçek and Salim Koca (Ankara: Yeni Türkiye Yayınları, 2002) 52-59.

"Ortaçağ Anadolu Türk Sanatına Eski Mezopotamya Sanatından Gelen Etkiler Konusu” [“On the Impacts of Ancient Mesopotamian Art upon Anatolian Turkish Art in the Middle Ages”], Sanatta Etkileşim [Interactions in Art], edited by Zeynep Yasa Yaman (Ankara: Türkiye İş Bankası Yayınları, 2000) 202-205.

"Anadolu'nun Onüçüncü Yüzyılını Anlamak" [“Understanding Anatolia in the Thirteenth Century”], Semra Ögel'e Armağan: Mimarlık ve Sanat Tarihi Yazıları, [Papers on Art and Architectural History, Festschrift for Semra Ögel], İstanbul Technical University, Graduate Program in Architectural History (İstanbul: Ege Yayınları, 2000) 107-119.

"Ortaçağ Anadolu Mimarisinde Anlam” [“Meaning into Medieval Architecture in Anatolia”], Arkeoloji ve Sanat [Archaeology and Art], XX/85, 1998, 29-38.

“Edirne II: Beyazıd Külliyesi,” TM: Tasarım Merkezi, 7, 2007, 18-27.

“Konya Mevlana Külliyesi,” TM: Tasarım Merkezi, 6, 2007, 24-31.

“Ankara Cenabi Ahmed Paşa Külliyesi,” TM: Tasarım Merkezi, 5, 2007, 20-25.

“Bursa Hüdavendigar Külliyesi,” TM: Tasarım Merkezi, 4, 2007, 16-21.

“Divriği Ulu Cami ve Darüşşifası,” TM: Tasarım Merkezi, 3, 2007, 18-25.

“Amasya Sultan II. Beyazıd Külliyesi,” TM: Tasarım Merkezi, 2, 2007, 26-33

“Hunad Külliyesi,” [Hunad Complex in Kayseri] TM: Tasarım Merkezi, 1,2006, 24-29.

“ ‘Osmanlı Üst Kimliği’ ile Sanat ve Mimarlık Alanında Özümleme,” [Ottoman Supra Identity and Assimilation in Architecture] Prof. Dr. Filiz Yenişehirlioğlu’na Armağan: Osmanlı Dünyasında Kültürel Karşılaşmalar ve Sanatsal Yansımaları (forthcoming).

Edited Books:

Selçuklu Uygarlığı: Sanat ve Mimarlık [Seljuk Civilization: Art and Architecture] edited by Ali Uzay Peker and Kenan Bilici, (Ankara: Ministry of Culture, 2006).

2000'den Kesitler I: Osmanlı'da Mekânlar/Zamanlar/İnsanlar [Space/Time and People I: Ottoman Architecture), Doktora Araştırmaları Sempozyumu Bildirileri (Ankara, 11-12 Kasım 1999) [Graduate Symposium Proceedings, METU Graduate Program in Architectural History, (Ankara, November 11-12, 1999)] edited by Ali Uzay Peker (Ankara: METU Fac. of Arch. Press, 2002).

Papers in Congress/Symposium Proceedings:

"Mimar Sinan'dan Öğrenmek: Cami Tasarımında Özgünlük Arayışına Yanıtlar," [Learning from Mimar Sinan: Responses to Search for Originality in Contemporary Mosque Design] 1. Ulusal Cami Mimarisi Sempozyumu: Gelenekten Geleceğe Cami Mimarisinde Çağdaş Tasarım ve Teknolojileri Sempozyum Kitabı, Diyanet İşleri ve MSGSÜ org., İstanbul, Mayıs 2013.

“Anadolu Selçuklu Mimari Tasarımını Etkileyen Evren ve Estetik Anlayışı,” [Cosmology and Aesthetics in Seljuk Architectural Design in Anatolia] Anadolu Selçuklu Şehirleri ve Uygarlığı Sempozyumu 7-8 Ekim 2008, Bildiriler [Symposium on Anatolian Seljuk Cities and Civilization, Communications], ed. A. Esen, Haşim Karpuz, O. Eravşar (Konya: Selçuklu Belediyesi, 2009) 85-107.

“Taklidin Estetiği: Anadolu Selçuklu Mimarisinin Mimesis Kavramı Üzerinden Okunması,” [Aesthetics of Mimesis: Understanding Anatolian Seljuk Architecture”] Türkiye’de Estetik: Türkiye Estetik Kongresi Bildirileri, [Aesthetics in Turkey: Turkish Congress of Aesthetics] ed. Jale Erzen, Pelin Yoncacı (Ankara: TMMOB, 2007) 563-571.

"Anadolu Selçuklu Mimarisi İkonografisi Yazımına Doğru" [“Iconography of Seljuk Architecture in Anatolia”], Selçuk Üniversitesi VII. Milli Selçuklu Kültür ve Medeniyeti Semineri Bildirileri (Konya, 30 Nisan-02 Mayıs, 1998) [Seljuk University 7th National Symposium on Seljuk Culture and Civilization (Konya, April 30-May 02, 1998]) (Konya:Selçuk Üniversitesi 1998), 289-299.

"Ortaçağ Türbe Mimarisinin İçerdiği Anlamlar ve Kayseri Döner Kümbet Örneği" [“Meanings into Islamic Tomb Architecture in the Middle Ages and the Döner Kümbet in Kayseri”], Erciyes Üniversitesi I. Kayseri ve Yöresi Tarih Sempozyumu Bildirileri (11-12 Nisan 1996, Kayseri) [Erciyes University History Symposium on the City of Kayseri and its Environs (Kayseri, April 11-12)], (Kayseri: Erciyes Üniversitesi, 1997), 291-303.

"Selçuklu Anıtsal Mimarisinde Kozmolojik İmgeler: Evren Katmanlarının Simgesi Olarak 'Kutsal Ağaç' Kompozisyonu" [“Cosmological Images in Seljuk Monumental Architecture: the 'Sacred Tree' Composition as a Symbol of the Layers of the Universe”], Selçuk Üniversitesi I-II. Milli Selçuklu Kültür ve Medeniyeti Semineri Bildirileri (25-26 Nisan 1994) [Seljuk University Ist and 2nd National Symposiums on Seljuk Culture and Civilization (Konya, April 25-26, 1994], (Konya: Selçuk Üniversitesi, 1994), 199-206.